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Two of my favorite writers on their garden benches, a tree over each of their left shoulder, and their heads tilted slightly rightward…as if they share one of As It Is On Earth‘s character’s poignant tendency “to see the slant of things better that way.” In AIIOE, I

“Back and forth I paced, probing the floor with seamless and well-constructed arguments. Then, rearing back, I would thrust irrefutable conclusions into the ceiling. Chalk crumbled in my hand and flew through space as I struck broad decisive strokes across the lecture hall slate

I’m not sure what to make of being called a ‘renaissance man’ in the September issue of The Brooklyn Rail. Surely it is flattering, and I greatly appreciated Scott Cheshire’s (author of the debut novel High as the Horses’ Bridles, forthcoming from Henry H